Skip to content
The Slow Lantern

No. 14 · Winter

Thinking Tools

9 min read

The Dunning-Kruger Trap Is Smaller Than You Think: A Gentler Way to Check Your Own Confidence

Feeling surer than you should about something new is not a flaw. It is what happens when you have not yet seen how big the subject is. Here is why it happens, and three small checks that keep your confidence honest.

Harriet Lowell

Fig. 1 — The Dunning-Kruger Trap Is Smaller Than You Think: A Gentler Way to Check Your Own Confidence

A few springs ago I decided I knew the birds of my local park. I had owned a field guide for about a fortnight. I had ticked off a dozen species, and I felt quietly pleased with myself. One morning I pointed at a black-and-white bird strutting across the grass and told my neighbour, with some authority, that it was a magpie.

"Lovely bird," she said kindly. "That one's a magpie-lark, though. Quite a different animal." Then she showed me how to tell them apart: the white eyebrow, the habit of wagging the tail, the thin, piping call.

I went home a little pink in the face. But I also noticed something odd. I felt less sure of myself than I had that morning, and the park had become more interesting. It seemed to hold more birds than I had realised.

That small episode is the whole idea of this essay. When we have only just met a subject, we tend to feel we know more of it than we do. That is a normal feature of how learning works, and it is not a defect in you. Once you understand why it happens, you can check your confidence in a few gentle ways, without nagging yourself.

What is the Dunning-Kruger effect, in plain words?

You have probably met the name. It comes from a 1999 paper by two psychologists, Justin Kruger and David Dunning. In their experiments, people took short tests on things like logical reasoning and grammar, and then estimated how well they had done. Those who scored lowest tended to guess they had done much better than they had. Those who scored highest tended to guess slightly lower than their real results.

The popular version is harsher than that. You may have seen a graph of a peak called "Mount Stupid", followed by a valley of despair and a long slope of recovery. As far as I know, that graph is not from the original paper. It is a later, catchy drawing, and it turns a modest finding into a story about foolish people. That story is unkind and not very accurate.

I am still learning here, and the research has had its own debates. Some researchers argue that part of the pattern comes from the statistics of the tests themselves. Almost everyone thinks they are a bit better than average at things, and any measurement with noise in it will make the extremes look more extreme. My honest summary is this: the finding that people misjudge themselves in new areas has held up well enough to be useful. How big the effect is, and how much of it is "special" to beginners, is less settled.

So treat it as a useful everyday observation rather than a law of nature. It also applies to all of us, including the people who study it.

Why do we misjudge things we have only just met?

Imagine doing a jigsaw puzzle without the picture on the box lid. You finish the four edges and a few pieces of a red barn. The frame is complete, the barn is recognisable, and it feels as if the puzzle is mostly done. But you have no way of knowing whether the barn sits in a tiny corner of a vast landscape. The size of the whole picture is the one thing you cannot see.

New knowledge works the same way. Early on, you learn the central, well-signposted ideas, the ones that show up in every beginner's guide. They feel like the subject. What you cannot see is the territory beyond them: the exceptions, the special cases, the "it depends" answers that practitioners carry around. You do not know what you do not know, and you have no yardstick for measuring it.

There is a second, quieter reason. The skills we use to do something often overlap with the skills we use to judge how well it is done. If I cannot yet tell a magpie from a magpie-lark, I also cannot tell that I am getting it wrong. My mistake looks exactly like a correct answer from the inside. Someone who has watched birds for twenty years can see the error at once. Nothing is wrong with my thinking. I just have not yet built the eyes.

That is why this is normal rather than shameful. Every skilled person you admire passed through this stage. The only difference is that they have since collided with enough surprises to know the real size of the subject.

A very old version of the same idea

None of this is new. The sixteenth-century French essayist Michel de Montaigne had a motto, usually given in French as Que sais-je?, which means "What do I know?" He treated it as a habit of mind, a way of staying curious rather than a way of putting himself down.

Benjamin Franklin, in his autobiography, describes a related habit. As a young man he decided to stop using words that sounded too certain, such as "certainly" and "undoubtedly". He preferred phrases like "I conceive" or "it appears to me at present". He reports that this made his conversations more pleasant, and that people were more willing to listen and less inclined to dig in. I only know this from his own account, so take it as his testimony. But the practical point holds: wording your views as a current best guess leaves room for the next fact to arrive.

Check one: write down a guess before you test it

This is the check I use most, and it is the simplest. Before you find out how you did, write down what you expect.

Say you have been learning the names of the state capitals, or the parts of a bicycle, or the rules of a card game. Before a ten-question quiz, write: "I think I'll get 8 right." Then take the quiz. Perhaps you get 6. The gap of two is now a piece of information you did not have before. It is not a failure.

Do this a few times and you can start to see your own pattern. If you keep predicting 8 and landing on 6, then in this subject, your "8" really means "about 6". That is a useful correction, and it costs only a scrap of paper.

You can add a second layer by attaching a confidence to each answer. If you say you are "90% sure" about ten answers and get only six right, your 90% was running hot. If you say "60% sure" and get six right, you were well calibrated. Weather forecasters are known to be good at this kind of calibration, and part of the reason is that they make probabilistic predictions every day and are then checked against what actually happened. That feedback loop does the teaching. You can build a small version of it at your kitchen table.

I should be honest that this works best for things with clear right answers. For fuzzier skills, like writing or conversation, a prediction is harder to score. In those cases I write down something like "I expect the reader will find the second paragraph confusing", then ask someone and see.

Check two: try to explain it to a beginner

Understanding can feel solid right up until you try to say it aloud. So pick a friend, a patient pet, or an empty page, and explain the idea as if to someone who has never heard of it. Pay attention to the moments where you slow down, say "it just sort of works", or reach for a fancy word instead of a reason.

Those moments are the edge of what you know. They are rewarding to find, because they tell you exactly where the next hour of learning should go. When I tried this with birds, I found I could say "that one is a magpie" but could not say how I knew. My knowledge was mostly a feeling. Naming the features (the eyebrow, the tail, the call) turned the feeling into something I could check.

A good rule of thumb is that every claim should be able to survive the question "why?" asked twice. If it collapses after the second why, you have found a spot worth revisiting.

Check three: ask what the next level looks like

The jigsaw problem was that you could not see the whole picture. You cannot fix that entirely, but you can peek at the box lid. Find something written by or about people further along, and ask what they pay attention to that you do not.

Concretely, you might ask:

  • What mistakes do beginners in this field commonly make? (You will probably recognise some of your own.)
  • What questions would someone with ten years' experience ask about this topic?
  • What would an experienced person say "it depends" about?

Then list three questions you cannot yet answer. If you struggle to come up with any, that is itself a gentle signal that the subject may be bigger than it looks from where you stand. When the list comes easily, it usually means you have got a good sense of the shape of the thing.

My neighbour was my box lid. A single remark from someone who knew the park well showed me how much more there was to see. If you do not have a neighbour like that, a good library book or a local club's newsletter can do the same job.

What this does not mean

There is a tempting wrong conclusion here: "I can never trust my own confidence, so I should doubt everything." That would be exhausting, and it is not what the evidence suggests. Confidence is not the enemy. It is a signal, and like any signal it can be well tuned or poorly tuned for a given subject.

In areas where you get quick, honest feedback, such as cooking a dish you make weekly, your confidence is usually quite reliable. The wobble is greatest in new areas, and in areas where feedback is slow, vague, or kind, such as opinions, long projects, or topics where nobody ever tells you that you are wrong. So do not clamp down on confidence everywhere. Look for the places where your feedback is weakest and add some of your own.

It also helps to remember that the same effect can run the other way. Some people with real skill underestimate themselves, because what comes easily to them seems like it must come easily to everyone. If that sounds like you, the prediction habit works in your favour too, since it can show you when your doubt was bigger than the facts.

A small thing to wonder about

Since the magpie-lark afternoon, I have noticed that the more I learn about a subject, the more it seems to split into smaller and smaller pieces, each with its own name. Every answer I find seems to leave behind two new questions. Is that a property of the world, which really is that detailed? Or a property of how attention works, so that any patch of reality will look endlessly fine-grained once you stare at it closely enough?

I do not know. But I find it oddly comforting that the feeling of "now I understand it" and the feeling of "now I see how much there is" seem to travel together. Perhaps the second feeling is the better sign of progress. Next time you catch yourself certain about something you met last week, you might try writing a number on a scrap of paper and seeing what the world says back. I would love to know what you find.

Further lights

  1. 01

    The Map Is Not the Territory: Where the Idea Came From and What It's Good For

    A hand-drawn park map once sent a friend down a path that was no longer there. Following that small mishap back through Lewis Carroll and a 1931 mathematics talk shows why every summary leaves things out, and why that is a feature rather than a fault.

    8 min
  2. 02

    The Pre-Mortem: Imagining Your Plan Has Gone Wrong Before You Start

    A pre-mortem asks you to picture your plan having already failed, then list the reasons why. It's a small, cheerful habit that works on camping trips and birthday dinners, and it takes about five minutes.

    8 min
  3. 03

    The Pareto Idea Without the Hype: Noticing What Matters Most

    A small share of causes often produces a large share of results, but "eighty-twenty" is a loose pattern, not a law. Here is how to spot it in a garage, an inbox or your week, with one small exercise to try.

    9 min